Walk into any Cape Town coffee shop today, or simply stand on a busy street corner, and you will notice a striking regularity in human behavior. Nearly every person you see is completely absorbed in a screen, eyes locked onto a smartphone or fingers flying across a laptop keyboard. We move through the world physically, but our attention is firmly anchored in a digital universe. It is an extraordinary social transformation. This total immersion in the virtual world has become so ubiquitous that it is easy to forget how rapidly it arrived. For anyone who did not live through the mid-twentieth century, it is almost impossible to imagine an era when these devices simply did not exist—a time when our daily lives were defined entirely by the physical, the tangible, and the local.
Growing up in Worcester during the 1950s, a computer was something completely unheard of. In that quiet country town, information didn't flash onto a screen; it arrived via The Worcester Standard Electric Press (popularly known as the Advertiser), the Cape Argus. or Cape Times newspapers, books or magazines in the local library, or conversations with family or friends. The idea that a machine could store human knowledge, calculate complex problems, or connect people across continents belonged strictly to science fiction.
The very first time I caught a glimpse of the coming technological shift was when I moved to Cape Town in 1966. I remember walking down Wale Street and stopping dead in my tracks outside an IBM facility. There, behind a large plate-glass window, sat a massive mainframe computer. To a young person arriving from the country, it looked less like an appliance and more like a sleeping monster. There were no glowing video screens, no keyboards, and no desktop monitors. Instead, all one could see were giant metallic cabinets and massive reels of magnetic tape spinning fitfully back and forth. Data input wasn't handled by typing, but through thick stacks of rectangular paper punch cards. I stood on the pavement for a long time, pressing my face against the cold glass in utter awe, trying to comprehend what this mechanical behemoth was actually doing.
Shortly after that encounter, I became aware that Old Mutual had installed its own giant computer, which occupied a complete floor of their building. In those days, computers relied on hundreds of glowing valves and early transistors rather than modern microchips, generating an incredible amount of heat. Around that same time, a few students I knew were studying a strange new discipline called programming, using cryptic languages like COBOL or Fortran. By the end of the decade, the presence of these machines moved from local curiosity to global necessity. In July 1969, while millions of others around the world sat glued to their television screens watching the Apollo 11 moonwalk, we in South Africa experienced that historic moment entirely differently. Our country did not have a television service yet, making us one of the few places on earth where families had to crowd around small transistor radios, straining to hear the crackling audio transmission beamed across the oceans. I listened to the broadcast at about 5:30 am in my room in the Monte Vista boarding house, listening intently to the distant, static-laden voices of the astronauts, acutely aware that the entire, terrifyingly complex landing operation was made possible only by massive banks of overseas computers. The standard smartphone sitting next to a coffee cup today possesses millions of times more computing power than the entire apparatus NASA used to send men to the moon.
As the 1970s rolled in, computing technology began a slow crawl toward the public sphere. I vividly remember wandering through the Stuttafords department store in Adderley Street and coming across an early computer game. The display consisted of a monitor showing a tiny white dot on a black square, which you could move around using a joystick. The sales representative proudly informed us that the machine's random-access memory—its RAM—was all of four kilobytes. Yet, at the time, the ability to interact with a screen felt like absolute magic.
The true turning point in my personal relationship with technology came in the early 1980s through my professional life. The museum where I worked acquired its very first desktop computer around 1981—an Apple II. A group of us crowded into a small office, staring with absolute fascination at the bright green lettering glowing against the pitch-black screen. The curator demonstrated how the machine could search for records in a digital database, a task that previously required hours of sorting through physical index cards. The total memory of this revolutionary tool was a meager 16 kilobytes. That afternoon, our vocabulary changed forever as we were introduced to terms like ROM and RAM, Input and Output, Bits and Bytes.
A massive shift occurred in 1984 when a forward-thinking colleague, Martina ‘Sparky’ Roeleveld, acquired the newly released Apple Macintosh. For a visually oriented person, the Macintosh was an absolute revelation. Unlike the text-heavy machines that preceded it, this computer operated using an entirely new concept: a graphical interface consisting of virtual windows, recognizable icons, and menus activated by a strange rolling device called a mouse. For the first time, you could actually draw lines and shapes directly onto a crisp white screen. Because those early Macintosh computers were prohibitively expensive and the cultural boycott made them hard to find, the majority of the museum's scientific staff used standard PCs and learned the dense mysteries of MS-DOS. There were no friendly icons here; instead, you were confronted with a blank, blinking command prompt on a dark screen, requiring you to type exact strings of text syntax just to copy a file. Things became infinitely easier for the entire staff when the PC platform finally took its own leap into a graphical environment with the widespread release of Windows in 1990.
By the early 1990s, the design department realized that computers were becoming the premier medium for public communication. We recognized the immense potential of interactive multimedia for creating engaging museum exhibits and decided we needed to become completely computer literate. Our search for the right tool led us to the Commodore Amiga. The Amiga was an extraordinary machine for its time, boasting advanced color graphics capabilities. It was famously categorized as a WIMP machine—utilizing Windows, Icons, Menus, and Pointers. The department eventually purchased two Amiga 1200 computers and integrated them directly into our new "Open Ocean" exhibition, where they booted up faithfully every morning for the public to interact with.
Then came the moment that truly rewrote the rules of human civilization: the arrival of the World Wide Web. When I first encountered the live Web in 1994, I found the core concept almost impossible to believe. The idea that separate computers, located thousands of miles apart, could "talk" to one another across standard phone lines via a screeching box called a modem felt like a trick of the mind. I distinctly remember a meeting at the Amiga Computer Club chaired by Ken Turner, watching text and images slowly materialize on a screen, originating from an early website called "Le Lourve", which was based in the United States. To see an image of a cat slowly appear in real-time in South Africa—all for the cost of a local phone call—was utterly astounding. At that exact moment, I knew this network would change human life forever. Eventually, legal pressure from the actual Louvre museum in Paris forced the experimental website to change its name.
In those mid-nineties days, home internet connections were still a rarity, so the nearest place where one could reliably go to explore this expanding digital universe was the iCafe located in Long Street. It wasn't long before I developed an intense desire to construct my own homepage. Back then, the web was wonderfully democratic and simple. All you needed was a basic text editor to manually write lines of HyperText Markup Language (HTML) to format text and link documents together, and a standard browser to view the final layout. Once you secured an account with a local internet service provider, you were a published author on a global stage. What a simple but powerful language!
By 1995, the museum had successfully installed its own internal network steered by Dr. Butch Hulley, and staff experienced the incredible convenience of electronic mail. In 1996, we began designing our very first web pages, officially launching our site in 1997 to celebrate the centenary of our historic building on its present site. Around this time, a small, clean search engine called Google made its quiet appearance and was rapidly adopted as the best tool available. Older tools like Mosaic and Internet Explorer were actually early browsers, but Google quickly overtook the popular search engines of the day like Yahoo! and Ask Jeeves. As the clock ticked over into the year 2000, the pace of change accelerated into a blur. Laptops became genuinely portable, Steve Jobs demonstrated the iPod, which allowed people to carry their entire music collections in a pocket, and then the iPhone arrived, merging a computer, a camera, and a telephone into a single device. The subsequent introduction of tablet computers like the iPad solidified this shift, while home connectivity evolved rapidly from dial-up modems to high-speed ADSL, and eventually to the lightning-fast fibre-optic cables we use today.
When the pandemic hit and forced us into a period of strict lockdown, we saw just how vital this entire digital infrastructure had become to our survival. Businesses were forced to innovate overnight, and people found themselves working seamlessly from home using video conferencing software like Zoom. We watched movies online, attended virtual meetings, and turned to YouTube as our primary source of instructional information and research. During those quiet weeks of isolation, it became blindingly obvious that we were transitioning into a society where cyber superhighways would receive far more infrastructure funding and strategic importance than the physical motor highways connecting our cities.
Now, we stand on the precipice of a shift that will make everything I have just described look like child's play. Artificial Intelligence is here. For those who have no clear idea of what is coming down the track, let me tell you plainly: tomorrow’s world is going to be profoundly, unrecognizably different from anything we have known. AI is not just another useful software program, nor is it merely a faster version of a Google search. We are engineering systems that can reason, synthesize vast oceans of human knowledge in seconds, recognize complex visual patterns, and generate creative solutions to problems that have baffled human minds for generations. It is going to fundamentally transform how we work, how we preserve our history, how we diagnose illnesses, and how we communicate with one another. For younger generations who have never known a world without an internet connection, this might feel like an incremental upgrade. But for someone who started this journey by staring at spinning tape reels through a window in Wale Street, it feels like witnessing the birth of a completely new form of human capability.
Back in the year 2000, technology commentators frequently remarked that we would see more structural changes in the subsequent five years than we had witnessed in the preceding thirty. Looking back across the decades that have unfolded since the turn of the millennium, I can confidently say that they were entirely correct. The rate of technological compounding is exponential, and it is a curve that does not care about our comfort levels or our nostalgia. We cannot predict with any certainty what the ultimate future of computing will bring, but we can choose to meet it with the same sense of curiosity, adaptability, and wonder that gripped us when we first saw those bright green letters glowing in a dark museum office forty-five years ago. The journey from punch cards to artificial intelligence has been the privilege of a lifetime to witness, and the next chapter promises to be even more extraordinary.